Годишник на Педагогическия факултет при Пловдивския университет "Паисий Хилендарски"

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https://doi.uni-plovdiv.bg/handle/store/173
p-ISSN 2815-4134 / e-ISSN 2815-4487

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Browsing Годишник на Педагогическия факултет при Пловдивския университет "Паисий Хилендарски" by Author "Parlikov, Valeriy"

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    PROBLEMATIZING THE ETHICAL COMPONENT OF THE EMPATHY IMAGE IN THE PROTOCOLS INSTITUTIONALIZING COMMUNICATION WITHIN A SPECIFIC CONCEPT OF CONFIDENTIALITY
    (Plovdiv University Press "Paisii Hilendarski", 2024) Parlikov, Valeriy
    Insofar as it is by definition only publicity (presenting the effects of existence as commonly perceived instances of becoming), the actuality of spectacle each time will initiate a destruction of the meaninfulness of being at all in a shareable world, marking experiential problem areas of living-together and a need for ethical algorithms (protocols of correctness, introducing criteria for an admissible norm of existence in a specific community). The subjective monopoly on the arrangement (whatever) of the World through the act of its planning, brings in, in the way of responsibility, the dependence of self-identity on freedom from the existence of the otherness (in the assumed as a quasi-ethical component of communication enactment of existence). In the algorithm of this presentation, the ethical code of the communication corresponds to the current trustworthiness of the discussion in the forum (the acted-out-as-sacred domain of consciousness), in which the intentionality of saying and the otherness invoked in it, are added to arbitrary designations of experiential manifestations. It seems impossible for the conventionalizing (the devitalizing) of the communion to present the ethical code to its understanding of the actual becoming and insofar as conventionality is rationality (it is definable, otherwise it cannot be achieved), the spectacle in the present exposition obscures it, placing the experiential emphasis on the trustworthiness of communication.
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    THE VARIABILITY OF (SELF) IDENTIFICATION AS A BASIS FOR DESTRUCTIVE EXPERIENCES WHILE USING TRAINING IN EXCESSIVE OUTBURSTS (IN PREPARATION FOR A THEATRICAL ACT)
    (Plovdiv University Press "Paisii Hilendarski", 2024) Parlikov, Valeriy
    For purpose of this exposition еxistence is defined as experiencing a monadic incarceration. Excessive behaviour reveals the illusory nature of its parameters, as it unlocks for the existence the variability of becoming. Thus, turning the act of existence into a paradox upgrades any meaningful alternative to simultaneity and because of this spill of linguistic fields into a state of indiscriminateness (where it purportedly happened), brings along the inarticulateness of the becoming (insofar as in any way it becomes in simultaneity) and ultimately also brings along a rejection of trustworthiness (towards the meaningfulness of being in communion) that validates communion itself. The excessive outburst is experienced as a traumatic destructiveness, insofar as it is a breakdown of the credibility of self-identity, its descent into an eroded togetherness and being thrown into freedom without the limit of living the me (in the too real-me, I am anyone and everyone). Therefore, the case of training in emotional outburst is not simulating life (spectacle in its traditional perception as something done), but as vital becoming and is a media (simulative) construct only in the presence of witnesses with a contextual definition of being together (and not in whole now-happening). The training of the outburst is demonstrative of the deliberateness of the protocols through which empathy is self-produced through its use to introduce trust in communication towards the futility of being in communion (if togetherness has the power of institution of the self-evident).