PASTORAL ZOOMORPHIC IMAGES IN MODERNISTS AND IN RUSSIAN EARLY AVANT-GARDE ARTISTS
| dc.contributor.author | Nikolova, Diyana | |
| dc.date.accessioned | 2024-12-18T13:50:06Z | |
| dc.date.available | 2024-12-18T13:50:06Z | |
| dc.date.issued | 2023 | |
| dc.description.abstract | The article outlines some important trends related to the use of the bucolic zoomorphic code by Russian artists in painting and literature from the second half of the 19th century to the 1920s. The main focus is on the presence and the ways in which the images of the cow and the pig, which were uncharacteristic of the works of Western European modernists and representatives of the early avant-garde, were exploited in Russian art. | |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://doi.uni-plovdiv.bg/handle/store/521 | |
| dc.language.iso | other | |
| dc.publisher | Plovdiv University Press "Paisii Hilendarski" | |
| dc.subject | M. Larionov | |
| dc.subject | D. Burliuk | |
| dc.subject | V. Kamensky | |
| dc.subject | K. Malevich | |
| dc.subject | W. Kandinsky | |
| dc.subject | S. Yesenin | |
| dc.subject | A. Mariengof | |
| dc.subject | I. Severyanin | |
| dc.subject | A. Kruchyonykh | |
| dc.title | PASTORAL ZOOMORPHIC IMAGES IN MODERNISTS AND IN RUSSIAN EARLY AVANT-GARDE ARTISTS | |
| dc.type | Article |