THE ECHO CHAMBERS OF A CHILD’S TEMPORALITY: DICKENS’S GREAT EXPECTATIONS

dc.contributor.authorYasenova, Kristina
dc.date.accessioned2026-08-13T19:13:22Z
dc.date.available2026-08-13T19:13:22Z
dc.date.issued2026-05-22
dc.description.abstractWhile paying attention to the soundscapes Charles Dickens builds in Great Expectations, I offer phenomenological interpretations of them, bearing in mind the child’s viewpoint and presence. The traditional phenomenological gaze, in this case, is going to be replaced with a phenomenological “ear”. Adopting such an analytical direction, I would argue that temporality could be polymorphous and polyphonous, and that the sonorous time possesses the power of morphing the child’s identity into diverse forms and directions.
dc.identifier.issn2682-9460
dc.identifier.urihttps://doi.uni-plovdiv.bg/handle/store/1085
dc.language.isoen
dc.publisherPlovdiv University Press
dc.subjectGreat Expectations
dc.subjectsonorous time
dc.subjectDickens
dc.subjectJean-Luc Nancy
dc.subjectthe child’s consciousness
dc.titleTHE ECHO CHAMBERS OF A CHILD’S TEMPORALITY: DICKENS’S GREAT EXPECTATIONS
dc.typeArticle
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