THE ECHO CHAMBERS OF A CHILD’S TEMPORALITY: DICKENS’S GREAT EXPECTATIONS
| dc.contributor.author | Yasenova, Kristina | |
| dc.date.accessioned | 2026-08-13T19:13:22Z | |
| dc.date.available | 2026-08-13T19:13:22Z | |
| dc.date.issued | 2026-05-22 | |
| dc.description.abstract | While paying attention to the soundscapes Charles Dickens builds in Great Expectations, I offer phenomenological interpretations of them, bearing in mind the child’s viewpoint and presence. The traditional phenomenological gaze, in this case, is going to be replaced with a phenomenological “ear”. Adopting such an analytical direction, I would argue that temporality could be polymorphous and polyphonous, and that the sonorous time possesses the power of morphing the child’s identity into diverse forms and directions. | |
| dc.identifier.issn | 2682-9460 | |
| dc.identifier.uri | https://doi.uni-plovdiv.bg/handle/store/1085 | |
| dc.language.iso | en | |
| dc.publisher | Plovdiv University Press | |
| dc.subject | Great Expectations | |
| dc.subject | sonorous time | |
| dc.subject | Dickens | |
| dc.subject | Jean-Luc Nancy | |
| dc.subject | the child’s consciousness | |
| dc.title | THE ECHO CHAMBERS OF A CHILD’S TEMPORALITY: DICKENS’S GREAT EXPECTATIONS | |
| dc.type | Article |