AUTOMATIC WRITING AS LINGUISTIC REBELLION: THE LINGUISTIC REALIZATION OF THE UNCONSCIOUS

dc.contributor.authorGalabova, Gergana
dc.contributor.authorГълъбова, Гергана
dc.date.accessioned2026-08-13T19:23:16Z
dc.date.available2026-08-13T19:23:16Z
dc.date.issued2026-05-22
dc.description.abstractThis article tracks the development of automatism by comparing the canonical Les Champs magnétiques by André Breton and Philippe Soupault with Remedios Varo’s automatic works. The automatic effect of Les Champs magnétiques is problematised by evidence or revision. Varo’s personal writings, on the other hand, show a more genuine use of the technique, turning the passive muse into an autonomous artist. The article concludes that, while the initial Surrealist rebellion broke external literary forms, the full potential of automatism as a mode of unmediated self-discovery was realized through its feminist appropriation, which adapted it to express a multiplicity of a personal unconscious.
dc.identifier.issn2682-9460
dc.identifier.urihttps://doi.uni-plovdiv.bg/handle/store/1089
dc.language.isoother
dc.publisherPlovdiv University Press
dc.subjectautomatic writing
dc.subjectautomatism
dc.subjectsurrealism
dc.subjectunconscious
dc.subjectpsychoanalysis
dc.titleAUTOMATIC WRITING AS LINGUISTIC REBELLION: THE LINGUISTIC REALIZATION OF THE UNCONSCIOUS
dc.title.alternativeАВТОМАТИЧНОТО ПИСАНЕ КАТО ЕЗИКОВ БУНТ: ЕЗИКОВАТА РЕАЛИЗАЦИЯ НА НЕСЪЗНАВАНОТО
dc.typeArticle
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