MANIFESTATIONS OF NEOREALISM IN THE NOVELLA “ALIENATION” AND THE SCREENPLAY “A PEASANT ON A BICYCLE” BY GEORGI MISHEV
| dc.contributor.author | Savov, Ivan | |
| dc.contributor.author | Савов, Иван | |
| dc.date.accessioned | 2025-12-05T20:50:37Z | |
| dc.date.available | 2025-12-05T20:50:37Z | |
| dc.date.issued | 2025-05-16 | |
| dc.description.abstract | The aim of this paper is to trace the influence of the aesthetics of Italian neorealism in cinema on two works by Georgi Mishev – the novella “Alienation” and the screenplay “A Peasant on a Bicycle”. The historical emergence and diverse influences on neorealism are outlined, as well as its specific features. The manifestations of neorealism in Georgi Mishev's work are studied – its characteristic cinematic quality, unadulteratedness, etc., as well as its interaction with the dogmas of socialist realism. | |
| dc.identifier.issn | 2682-9460 | |
| dc.identifier.uri | https://doi.uni-plovdiv.bg/handle/store/780 | |
| dc.language.iso | other | |
| dc.publisher | Plovdiv University Press | |
| dc.subject | neorealism | |
| dc.subject | socialism | |
| dc.subject | migration theme | |
| dc.subject | literature and cinema | |
| dc.title | MANIFESTATIONS OF NEOREALISM IN THE NOVELLA “ALIENATION” AND THE SCREENPLAY “A PEASANT ON A BICYCLE” BY GEORGI MISHEV | |
| dc.title.alternative | ПРОЯВЛЕНИЯ НА НЕОРЕАЛИЗМА В ПОВЕСТТА „ОТДАЛЕЧАВАНЕ“ И КИНОСЦЕНАРИЯ „СЕЛЯНИНЪТ С КОЛЕЛОТО“ ОТ ГЕОРГИ МИШЕВ | |
| dc.type | Article |