HOW TO USE THE CAMERA TO CONTINUE THЕ WRITING. “THE TALES OF HOFFFMANN” THROUGH THE LENS OF DIFFERENT MEDIA – ON STAGE, IN FILM AND ON TELEVISION

dc.contributor.authorGimpel, Derek
dc.date.accessioned2026-07-10T05:17:49Z
dc.date.available2026-07-10T05:17:49Z
dc.date.issued2026
dc.description.abstractE. T. A. Hoffmann’s fantastic stories are, due to their complexity, structure and subject matter the source of many adaptions and reworkings. One of the most popular of these is Jaques Offenbach’s opera „Les contes d‘Hoffmann“, itself n adaption of the original theatre play which was also the inspiration for many other television and cinema adaptions. Narrative techniques and storytelling motives demand different approaches from the various media. An in depth study of ‘Eyeglasses’ (Der Sandman / Olympia Act) and ‘Appearance’ (Rat Krespel / Antonia Act), will reveal how these elements function and are depicted in the various media.
dc.identifier.issn3033-0599 (Online)
dc.identifier.urihttps://doi.uni-plovdiv.bg/handle/store/1041
dc.language.isoother
dc.publisherPlovdiv University Press
dc.subjectE. T. A. Hoffmann
dc.subjectOffenbach’s “The Tales of Hoffmannˮ
dc.subjectnarrative techniques
dc.subjectfilm
dc.subjecttelevision productions
dc.titleHOW TO USE THE CAMERA TO CONTINUE THЕ WRITING. “THE TALES OF HOFFFMANN” THROUGH THE LENS OF DIFFERENT MEDIA – ON STAGE, IN FILM AND ON TELEVISION
dc.typeOther
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