VISIONS OF THE CLASSICAL FORM IN LYUBOMIR DALCHEV’S SCULPTURE

Simple item page
dc.contributor.authorDekova, Galina
dc.date.accessioned2026-07-10T05:13:37Z
dc.date.available2026-07-10T05:13:37Z
dc.date.issued2026
dc.description.abstractThis article aims to examine the artistic evolution of the prominent Bulgarian sculptor Lyubomir Dalchev – from his early fascination with symbolism and his explorations of the realistic form to his later modernist stylized human figures. Always rooted in the human form, Dalchev succeeds in modernizing the understanding of socialist realism to such an extent that the concept itself becomes meaningless. His education in Rome and Paris during the interwar period laid the foundation for the later development of his artistic language. The article pays special attention to the image of the male body in his work and, through the analysis of several examples from different periods, explores how the treatment of the male figure distances the author from the ideological use of the image.
dc.identifier.issn3033-0599 (Online)
dc.identifier.urihttps://doi.uni-plovdiv.bg/handle/store/1040
dc.language.isoother
dc.publisherPlovdiv University Press
dc.subjectLyubomir Dalchev
dc.subjectclassicism
dc.subjectsculpture
dc.subjectmodernism
dc.subjectsocialist realism
dc.subjectBulgaria
dc.subjectinterwar period
dc.subjectstereotypes
dc.titleVISIONS OF THE CLASSICAL FORM IN LYUBOMIR DALCHEV’S SCULPTURE
dc.typeOther
Files
Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
linc20262387.pdf
Size:
1.48 MB
Format:
Adobe Portable Document Format
Download
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
73 B
Format:
Item-specific license agreed to upon submission
Description:
Download
Collections
Linguistics, Interpretations, Concepts (LInC)