ALLEGORICAL MARRIAGES IN SELECT WORKS OF SYDNEY OWENSON AND CHARLES MATURIN

dc.contributor.authorPetkova, Tsvetelina
dc.date.accessioned2024-12-18T14:16:01Z
dc.date.available2024-12-18T14:16:01Z
dc.date.issued2023
dc.description.abstractThe paper looks at the allegorical use of intercultural marriage in Irish literature following the 1801 Act of Union, with a specific focus on Owenson’s The Wild Irish Girl and Maturin’s The Milesian Chief. It examines how these national tale novels mirror the Anglo-Irish relationship, employing marriage as an allegory of political and cultural amalgamation. Navigating through historical context, literary techniques, and the depiction of Irish identity, the analysis attempts to illustrate how these works express the intricacies of Irish society in the early nineteenth century.
dc.identifier.issn0861-0029
dc.identifier.urihttps://doi.uni-plovdiv.bg/handle/store/533
dc.language.isoen
dc.publisherPlovdiv University Press "Paisii Hilendarski"
dc.subjectSydney Owenson
dc.subjectCharles Maturin
dc.subjectIreland
dc.subjectIrish
dc.subjectnational tale
dc.subjectallegory
dc.subjectmarriage
dc.subjectAct of Union
dc.subjectAnglo-Irish
dc.titleALLEGORICAL MARRIAGES IN SELECT WORKS OF SYDNEY OWENSON AND CHARLES MATURIN
dc.typeArticle
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